"Chine Colle" basically translates to "thin paper collage" in French. It is done with a printmaking press, and most often used to print on paper that is too thin and delicate to go through the press on its own, and to add texture and color to etchings. I decided to try this technique to create transparent/translucent layers using collage elements.
I used powdered methyl cellulose, a traditional bookbinding adhesive as my glue. Because I loved the look of Chine Colle (but am not a printmaker) I "cheated" by drawing on tracing paper and using these pieces as collage elements.
What worked?
I love the way the collage papers seems to really bond with the background paper. (I used Rives BFK.) Loved the Rives paper, it's not just for printmaking. Also, combining drawing with collage is something I'm now very interested in exploring.
What didn't work so well: When the paper came out of the press is was completely flat, and very damp. I placed each collage on layers of clean newsprint, covered with a sheet of freezer paper (face down to prevent sticking) and put my collage sandwich under a heavy stack of books. At first it was completely dry, or so I thought. After a few days the paper started to curl ... alot! In the future I'm going to change the newsprint and leave the collage under the books for at least a week.
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